We are passionate about Musical Theatre and have forged strong and trusted links with eminent industry professionals in both the UK and Internationally. Through this close association, we understand industry requirements and have a network of dedicated and highly experienced theatre practitioners who stand ready to offer you help and advice whilst you are studying with us, and after you embark on your career.
Associated Studios take pride in developing performers of the highest calibre. You will be challenged and nurtured, inspired to work to the best of your ability. This course offers one year of intensive practical training in Dance, Singing and Acting, the skills required to become an outstanding Musical Theatre performer.
WHO SHOULD APPLY?
Patron Sir Tim Rice says: ‘Associated Studios will prepare you for a competitive but thrilling business and inspire you as a performer. You will be working with brilliant practitioners who have an extraordinary wealth of knowledge.’ Other Associated Studios patrons include actors Jeremy Irons and Timothy West, composer Scott Alan, comedian/impersonator Rory Bremner, the Opera singer Rosalind Plowright OBE and other luminaries of the UK Theatre scene.
Courses at Associated Studios provide unparalleled individual attention in order to develop you as a person, as an individual and as an artist. You will need to be prepared to work hard, push yourself to the limit and be available to grow and learn.
All our coaches are leading industry practitioners including Musical Directors, Directors, Vocal Coaches, Choreographers, Writers, Composers and experienced Performers.
In your intensive year of training we will consolidate your technique and continue to build on the work completed in previous training. Your focus will be on developing as a ‘connected’ performer. This means being able to integrate the separate disciplines of Singing, Acting and Dance into one seamless practice in performance. You will identify and work on your own areas of weakness as well as building upon your strengths to solidify your artistry. You will also continue to build on your entrepreneurship and your audition technique and portfolio.
You will focus on using the techniques you have practiced from year one and putting them into various different dramatic situations and contexts required of the modern actor. Using texts from different periods you will look at how to apply your technique efficiently and methodically. You will also learn the connection between the actor and the director in the rehearsal room and how to get the most out of that relationship.
Throughout the year there will be an expectation of growing independence and autonomy. This will require you to create your own daily practice routines to warm up, exercise, learn and analyse your acting work.
Areas of Work Include:
This course focuses on the performative application of your core technique. You will explore the various styles within Musical Theatre, Pop/Rock and other CCM genres. Using this material, you will explore how to use your technique to create accurate, detailed, truthful journeys through the year. You will also learn more about Music Theory and how to gain greater insight from the composer and lyricists, which will inform your artistic choices as a rounded and integrated Musical Theatre performer. You will look at your acting techniques and how to best integrate them into your singing at all times and, how to use the approaches you learn in acting to influence the decisions you make regarding resonance, vocal quality, articulation and breath use. Throughout the year there will be an expectation of growing independence and autonomy. This will require you to create your own daily practice routines to warm up, exercise, build on your core technique, improve your sight singing/harmony work and, make creative artistic choices within your own performance and repertoire work.
Areas of Work Include:
Continuing to grow from your development from previous training, this course is about pushing your personal limits within dance. You will be expected to work fast and accurately in classes. The details you achieve within various styles of Dance and Movement will be looked at more closely and worked on. You will be required to pick up auditions routines quickly, allowing you to have a good understanding of professional Musical Theatre dance auditions. You will also explore your own body and develop a greater sense of your personal movement identity and what styles suit you and your casting. You will look at how to connect your understanding of Dance to your work in Acting and Singing and how your movement influences your overall performance. As in the other subject areas, throughout the year there will be an expectation of growing independence and autonomy. This will require you to create your own daily practice routines to warm up, exercise, build on your core technique and understand the wider context of dance within the contexts of their style and application.
Areas of Work May Include:
Industry classes at Associated Studios London are given throughout the course of your study. We are incredibly proud of the strong links we have within the wider theatre industry and through your training you will come into contact with a number of different agents and casting directors, as well as visiting directors, choreographers and musicals directors currently working in the industry both nationally and internationally:
There are many projects which aim to build the other tools you will require to succeed in the professional Musical Theatre Industry. Some of these are listed below:
*please note all course content is subject to change.
FEES AND FINANCE
“Having worked professionally as an actor and a singer/musician for over ten years I have had the opportunity to study with some remarkable mentors. None have unleashed the passion, joy, focus and clarity of sound that Leontine Hass has, by virtue of her extraordinary breadth of knowledge, vast experience and her ability to immediately assess and tap into an individual’s vocal potential.”Doug Hansell – (AS alumni) recently starred in ‘Titanic’ at the Charing Cross Theatre.
“Since doing the first Associated Studios course I went from strength to strength – I secured a great new agent who I’ve been with for many years now and who I count as a friend and a rock… and have now wracked up two West End contracts, an Arena tour around America and I know there’s still great things ahead. Leontine Hass and the directors, MD’s and choreographers from Associated Studios have remained in my life as friends, mentors and as fellow professionals. When you’re ‘resting’ these people will be the ones who drive you forward.”David O’Mahoney (AS Alumni) recently starred in ‘The Bodyguard’ with Beverley Knight. Currently plays Swing in the London West End production of ‘Beautiful’.
Start Date: Monday 23rd September 2019
Finance: Interest free instalment plans available
Entry: Via audition / Overseas: Videos accepted
Leontine Hass is currently vocal coach for Motown at The Shaftesbury Theatre London. She has served as vocal coach to Matt Henry (Lola in Kinky Boots West End), Alice Stokoe (Sophie in Mamma Mia, West End), Gloria Onitiri (Lead in The Bodyguard & Hair, West End), Claire Sweeney (Tell Me on a Sunday) and many other leads and swings in the West End, national and international tours of productions such as Thriller-Live, Oliver!, Carousel, Parade, Tell Me on a Sunday, The Lion King, The Phantom of the Opera, Witches of Eastwick, Nine, The Wizard of Oz, Ragtime, Sweeney Todd, Cats, Sister Act, We Will Rock You, Footloose, Wicked, The Sound of Music, Ghost, Hairspray, Porgy and Bess, The Bodyguard, Jesus Christ Superstar, Jersey Boys, Barnum, Miss Saigon, Book of Mormon, Mamma Mia, In the Heights, The Color Purple, Memphis, Spamalot, Les Miserables, Miss Saigon, Aladdin, Chicago, The Pyjama Game, Kinky Boots and the upcoming production of Dreamgirls.
Leontine coaches members of The Swingle Singers, Collabro, The Magnets, The Sons of Pitches and classical singers with ENO, Welsh National Opera and ROH, as well as Pop/Rock/Jazz singers. Leontine was the Vocal Coach for shows including the London premiere of Bernarda Alba the Musical, and currently the a cappella hit, ‘Gobsmacked’.
Leontine teaches workshops and lectures internationally on singing, voice and performance. She rehabilitates voices after surgery, or as surgery prevention. She has taught at leading Music & Drama Schools including GSA Conservatoire, the Oxford School of Drama, Mountview, LSMT, YMT, The Brit School, La Salle (Singapore), the Queensland Conservatorium, Centre Stage and The VCA (Melbourne).
Leontine has acted as vocal consultant to various music management/production companies, including ITV and the BBC. Leontine is vocal coach for ‘The Voice’ for BBC TV. She was featured as a mentor/vocal coach on the Gareth Malone show, ‘The Naked Choir’, for BBC2 and will also be involved with Series 2. She is a regular columnist at voicecouncil.com and for The Stage newspaper. She is a contributor to ‘The Singer’s Complete Guide to Vocal Health’ (Oxford Uni. Press), and advisor/contributor to ‘The Ultimate Guide to Singing’ published by TC Helicon in 2014.
Having originally trained as a classical singer (BA, Melb. Uni, BMus. Kings College London, Dip. RAM), Leontine has performed as a singer and actress in concert, theatre and TV.
Leontine is the CEO/Founding Principal of the Associated Studios Performing Arts Academy London, which she founded in 2007, then based at The Royal Academy of Music. Associated Studios provides full-time and part-time training and professional development in Musical Theatre and Opera (www.associatedstudios.co.uk). The Board of Directors includes Rory Bremner (Chair), Patrick Lawrence QC and Dr Christopher Stewardson. Patrons include Sir Tim Rice, Jeremy Irons, Jeremy Herrin, Timothy West and Scott Alan.
Leontine is represented by Lesley Duff at Diamond Management.