Auditions

What format does your audition process take?

Our auditions are on an individual basis and take about 20 minutes, concluding with a short interview.

Musical Theatre performers need to prepare two contrasting musical theatre songs and a short monologue. In instances where the audition has been scheduled at short notice we will accept two songs only, or two songs and a reading of a monologue. Opera singers need to prepare two contrasting arias. Actors need to prepare two short contrasting pieces (a modern and a classical).

Accompanists are provided, although for Musical Theatre singers backing tracks may be acceptable. Please check when booking your audition.

Overseas students can audition via a video link. We also require two professional references and will conduct a Skype interview.

Is there an audition fee?

We charge £40.00 which is payable in advance. This is to cover the cost of our venue and the services of a Musical Director and the panel and therefore is not applicable to overseas students.

I am a working professional actor, why do I have to audition?

It is important that we can see you work for a variety of reasons: we need to be confident that applicants are right for the workshop/course that they have applied for and indeed that the workshop/course is right for them. We would rather say no than offer someone a place on a course that was not going to benefit them. For masterclasses, we are often asked to provide participants with specific qualities so it is therefore vital that we know your work and scope.

Can I audition for more than one course at the same time?

Yes, when you apply, tell us which courses you are interested in. We will advise you as to which course we think is best for you after your audition.

Do I get feedback after the audition?

Yes, you do, usually as part of the audition itself. We want this to be a learning experience for you and we are honest because we don’t want to mislead you in any way. If we feel you would benefit from different training offered elsewhere we will tell you; if we feel you need to work on a specific skill we will tell you; basically, we want to help you as much as we can so our feedback will reflect this and should be considered as constructive.

Courses

I have trained professionally for three years so what is the benefit of doing professional development courses?

The majority of our participants have trained and/or worked professionally. However, this is an ever-changing profession and it is vitally important to continue to work on and develop your skills. This doesn’t just apply to singers but to actors too. Our workshops and courses are designed so that the performer can explore, discover, refresh and refocus their career. Participants will build and expand their audition material and will grow in confidence and ability. Additionally you will work with practicing practitioners and will make some great contacts. You will NEVER stop learning, even if you work to the ripe old age of 99!

I just can’t afford to take part in short courses and masterclasses – they seem expensive to me.

No-one said it would be cheap to be an actor/performer – you have a whole host of expenses: photographs, scripts, memberships, The Stage, Spotlight, Equity, etc. You are a business and as such have to think like one. Prepare an annual budget and within that budget include an amount for your professional development. This could be individual singing lessons or a short course but whatever you choose, it is essential to your continued growth and to ensure you stay on top form. Our courses are extremely reasonable. Like any organisation offering this sort of programme we have overheads which must be covered such as fees and rental. In general, our courses work out at under £100 a day. Also, remember that Professional Development courses are tax-deductible!

Is there any funding available for your courses?

At the moment funding options are very limited, but we are hoping that this will change. Our full-time course is new and has to be running for at least a year before we can be considered. We do very occasionally offer part-bursaries but this is not for every course and depends upon any financial support we receive as a charity.

If I take part in one of your classes or courses can you ensure that I will get an agent and/or work?

No one can guarantee you work or an agent – NO-ONE! And we would never dream of promising this because it would be wrong. However, our full-time course and our 4-month part-time Musical Theatre course have a showcase to which agents and casting directors are invited. You will work with people who can advise you – and indeed recommend you for work. All of our courses do prepare you for the reality of the business and also open your mind to the possibilities of creating work for yourself. Our masterclasses and workshops are often led by practitioners who are looking for new exciting talent and, in the past, participants have been offered work as a direct result of taking part in one of our workshops. The Associated Studios has facilitated work opportunities on countless occasions.

I am interested in one of your short courses but I am unable to attend every class. Can I have a discount?

The short answer to this is sorry, but no! We hope that participants can attend every class because it is certainly in their best interest but we appreciate, especially with professional development, that things crop up – work and auditions and sometimes you cannot say no. We still have the same overheads, however, so we cannot reimburse you for missed sessions. For the full-time courses, students are expected to attend every day and every class unless they are ill.

How do I know if a course is right for me – or indeed if I am right for a particular course?

We give as much information as possible about all of our courses, but also use your audition interview to find out as much as you want to know – after all you are interviewing us in the same way that we are interviewing you. We will be very honest with you and tell you if the course is not suitable for your needs. We do not want you, or indeed the course, to suffer because it is the wrong direction for you.

Is there an age limit for courses?

Our participants are usually aged 18+. You are offered a place on your talent and potential. For Professional Development courses we expect participants to have trained or worked professionally. There is no upper age limit. As we mentioned previously, you never stop learning. Some applicants are refocusing their careers, others are changing career direction and some are returning to work after a gap period, and all of these life experiences really add to the dynamic of the groups.

What do I require to buy or read before embarking on a course?

Prior to the course starting participants are sent a detailed Resources Pack filled with useful information and requirements for the course.

Payment

What payment plans are offered?

This varies depending on the course you do.

Part-time courses: You are required to pay a 25% deposit (50% for overseas students). The balance is due before the course starts unless a payment plan has been agreed with Associated Studios. This will normally be monthly repayments (due on 7th of each month) and full payment must be complete at least one month before the end of the course.

Full-time courses: You are required to pay a 25% deposit (50% for overseas students). The balance is due before the course starts unless a payment plan has been agreed with Associated Studios. This will normally be monthly (due on 7th of each month) or termly. Repayments and full payment must be completed before the final term begins.

Any variation of the above will be outlined on the webpage for each specific course.

How do I pay for an audition or course?
  • By credit or debit card – call the office (a transaction fee applies) on 0207 385 2038.
  • By bank transfer – we will supply bank details.
  • By cheque made out to ‘Associated Studios’.
I am an Overseas student. Do I pay more for the course?

No, but you do have to pay a larger deposit (50%). You are responsible for any bank charges incurred when making payments.

General

Do you have open days?

You are more than welcome to observe a class. Please email the office to arrange this: info@associatedstudios.co.uk

Who are your tutors?

Our tutors are all practicing industry practitioners working in their specific field. We have a huge list of professional contacts who love to come in and work with our students. Look under “Meet the Team” to see some of the amazing people we have welcomed to our classes.

Please contact us if you have any questions about The Associated Studios.

Leontine Hass – CEO

Founding Principal | Vocal Coach
Leontine Hass is an internationally renowned Vocal Coach and Principal of the Associated Studios London Performing Arts Academy.

Leontine Hass is currently vocal coach for Motown at The Shaftesbury Theatre London. She has served as vocal coach to Matt Henry (Lola in Kinky Boots West End), Alice Stokoe (Sophie in Mamma Mia, West End), Gloria Onitiri (Lead in The Bodyguard & Hair, West End), Claire Sweeney (Tell Me on a Sunday) and many other leads and swings in the West End, national and international tours of productions such as Thriller-Live, Oliver!, Carousel, Parade, Tell Me on a Sunday, The Lion King, The Phantom of the Opera, Witches of Eastwick, Nine, The Wizard of Oz, Ragtime, Sweeney Todd, Cats, Sister Act, We Will Rock You, Footloose, Wicked, The Sound of Music, Ghost, Hairspray, Porgy and Bess, The Bodyguard, Jesus Christ Superstar, Jersey Boys, Barnum, Miss Saigon, Book of Mormon, Mamma Mia, In the Heights, The Color Purple, Memphis, Spamalot, Les Miserables, Miss Saigon, Aladdin, Chicago, The Pyjama Game, Kinky Boots and the upcoming production of Dreamgirls.

Leontine coaches members of The Swingle Singers, Collabro, The Magnets, The Sons of Pitches and classical singers with ENO, Welsh National Opera and ROH, as well as Pop/Rock/Jazz singers. Leontine was the Vocal Coach for shows including the London premiere of Bernarda Alba the Musical, and currently the a cappella hit, ‘Gobsmacked’.

Leontine teaches workshops and lectures internationally on singing, voice and performance. She rehabilitates voices after surgery, or as surgery prevention. She has taught at leading Music & Drama Schools including GSA Conservatoire, the Oxford School of Drama, Mountview, LSMT, YMT, The Brit School, La Salle (Singapore), the Queensland Conservatorium, Centre Stage and The VCA (Melbourne).

Leontine has acted as vocal consultant to various music management/production companies, including ITV and the BBC. Leontine is vocal coach for ‘The Voice’ for BBC TV. She was featured as a mentor/vocal coach on the Gareth Malone show, ‘The Naked Choir’, for BBC2 and will also be involved with Series 2. She is a regular columnist at voicecouncil.com and for The Stage newspaper. She is a contributor to ‘The Singer’s Complete Guide to Vocal Health’ (Oxford Uni. Press), and advisor/contributor to ‘The Ultimate Guide to Singing’ published by TC Helicon in 2014.

Having originally trained as a classical singer (BA, Melb. Uni, BMus. Kings College London, Dip. RAM), Leontine has performed as a singer and actress in concert, theatre and TV.

Leontine is the CEO/Founding Principal of the Associated Studios Performing Arts Academy London, which she founded in 2007, then based at The Royal Academy of Music. Associated Studios provides full-time and part-time training and professional development in Musical Theatre and Opera (www.associatedstudios.co.uk). The Board of Directors includes Rory Bremner (Chair), Patrick Lawrence QC and Dr Christopher Stewardson. Patrons include Sir Tim Rice, Jeremy Irons, Jeremy Herrin, Timothy West and Scott Alan.

Leontine is represented by Lesley Duff at Diamond Management.